WHERE PAST ECHOES BECOME FUTURE VISIONS
Welcome to The Lost Futures - a Sydney based performance project pushing the boundaries of tech-driven creativity, live innovations, and creative augmentation.
THE LOST FUTURES
LIVE AT THE ENMORE
SUPPORTING TISM
PROMO FOR ‘BLESSED TO EXCESS’ SINGLE - OUT NOW
NEW SINGLE: BLESSED TO EXCESS
BLESSED TO EXCESS, our latest single, is a maximalist and sardonic take on the glamorization of the pursuit of fame, money and power.
We use a hybrid of human-led music composition, production design, and machine driven GenAI for the visual and auditory components of this work.
THE CONTRACT (2026)
SYNTHOGRAPHIC SERIES
The Lost Futures is a bit of a weird one.
We are at once, a band, a multimedia art-performance project, and a creative studio.
One night, we could be doing a live electronic music set around Sydney’s inner west, the next we could be working on a campaign for brands like Crocs, Uber and Lenovo.
We believe in blurring the lines between the creative process and executable work - for us, the innovation, experiments and spirited approach to creative development is integral in anything we do.
We use every tool at our disposal to create our desired result - and we always lead with human led creativity first.
A recent set from The Lost Futures, ‘Conditional Variables’, is a synthographic (AI assisted) multimedia series that explores time, connection, identity, and the relationship between humans and machines.
Released on Sedition Worldwide March 5
The Lost Futures also recently collaborated with Lenovo and NYC based SuperHeroes/JIMMY Agency to develop the hybrid multimedia works, ‘Dream Machine’ + ‘Sunday Scaries’
This piece, a part of Lenovo’s‘Feeling It’ campaign, explored the fusion of human creativity and AI through our signature ‘Cyberdelic Hyperloops’.
OUR INSTAGRAM @THELOSTFUTURES
Our instagram is our super-populated home of all things Lost Futures - be warned, it’s quite the ride!
Check out the feed and follow @thelostfutures for daily updates!
ABOUT THE LOST FUTURES
The Lost Futures is an innovative art, film, and music performance project by Sydney-based multidisciplinary artist Luke Burton.
Blending machine-assisted workflows with experimental production pipelines, The Lost Futures is redefining the role of technology in creative practice.
It leads the industry in developing and deploying machine-augmented methods to reshape the intersection of performance, philosophy, and visual media.
For our full bio, head over to our ABOUT page
NEWEST MUSIC RELEASE
‘FOUND PASTS’ Vol. 1 (1999-2014)
This collection is a deep dive into The Lost Futures past works, spanning ambient, synthpop, experimental, and more.
These tracks were created in various home studios over the years and represent different points TLF’s evolving creative journey.
Some of these compositions were buried on hard drives, others lost in past projects—until now.
Check out the album via link to Bandcamp
‘THE CYBERDELIC ESCAPE FROM THE SELF REPLICATING GOBLIN COSSACKS’ (SERIES, 2023)
PLATE TEN
PLATE FIVE
PLATE SEVEN
PLATE NINE
PLATE 11
PLATE TWELVE
PLATE SIX
PLATE EIGHT
PLATE FOUR - SOLD TO PRIVATE BUYER
PLATE TWO
PLATE THREE
PLATE ONE - SOLD TO PRIVATE BUYER
Sublimation dye transfer on ChromaLuxe aluminum plates
From the artist + Lost Futures founder Luke Burton:
“My great, great grandfather, Benjamin Bresinskie B. 1857, in Belarus/Russia, was born into a family of Cossack military aristocracy (and criminal underground).
Deeply dissatisfied with his fated life and his burning need to become an artist, he fled his family in the night and into the cold Belarusian winter.
To find shelter with limited options, he found a horse in a creek, gutted it and slept in it to survive. Later he would flee to Austria where he met my great, great grandmother, Ermestina, an Austrian Jew.
They moved to Australia in 1904 and became naturalised citizens. Benjamin would fulfill his wish and became an artist/set designer and decorator for Melbourne theatres.
This work seeks to represent the phantasms that haunt the ancestral memory, the pursuit and the dread that Benjamin must have felt facing the certain death if he was recaptured by his family. And the desperate pursuit to fulfill an existential purpose that cannot be ignored.
In the ancestral memory, the phantasms become a byproduct of the ontological experience of the fulfilment of purpose. Diluted across generations, the phantasms become operators of the cyberdelic medulla oblongata, and take shape in a free association.”
CONTACT THE LOST FUTURES
FOR BOOKINGS, CUSTOM WORKS, COLLABORATIONS, QUESTIONS ON PRICING, INSTALLATIONS AND GENERAL FEEDBACK